Urban Living Room

Tatia Kiknadze
Tatia Kiknadze and Sucheta Bhattacharyya are spatial practitioners currently pursuing their Master’s in Architecture Typology at Technische Universität Berlin. Their collaborative practice explores how care, ritual, and informal acts of making space can foster belonging in contexts marked by migration, precarity, and social transformation.
Tatia is originally from Georgia and has worked across architectural offices in Tbilisi, Switzerland, and Berlin. Alongside her architectural training, she brings a strong background in visual communication, with extensive experience in storytelling, editorial design, and illustration. Her work often translates spatial research into accessible, tactile formats: toolkits, zines, or performative installations. She has participated in international workshops in Egypt, Tunisia, and Germany, where she engaged with participatory design, heritage mapping, and collective storytelling.
Sucheta, originally from India, has worked on community-based architecture projects focused on local materials and traditional building practices. Her work is shaped by lived experience in diverse urban and rural contexts across India, where she has explored how architecture can support social cohesion and environmental responsiveness. She has participated in design-build studios and international workshops in Tunisia and Germany, deepening her interest in architecture as a site of negotiation and care.
Together, they operate with a shared sensitivity to spatial justice, cultural narratives, and the subtle practices that sustain everyday life. Their methods include site-based observation, visual mapping, and collective engagement. They see architecture not only as the design of physical structures but as a process of listening, hosting, and translating lived experience into spatial expression. Their collaboration is grounded in values of reciprocity, adaptability, and slow, attentive research.
Urban Living Room explores how belonging is practiced in cities shaped by migration, fragmentation, and cultural in-betweenness. Initiated at the Habitat Unit (TU Berlin), the project examines how spatial rituals, hosting, and memory shape inclusion and care in Berlin’s shifting urban fabric.
Rather than defining belonging, we ask how it is made tangible, through shared meals, gestures, storytelling, and acts of spatial care. Inspired by Zygmunt Bauman’s “liquid modernity” and Sandi Hilal’s framing of the domestic as resistance, the “living room” becomes a method for reclaiming public space and fostering radical hospitality.
The project unfolds in three phases:
Exploring: Interviews, memory mapping, and site visits trace rituals of home-making.
Hosting: Workshops and open letters co-develop tools of care, visibility, and soft resistance.
Translating: A temporary public installation invites rest, gathering, and co-authored reflection.
Rooted in Berlin and informed by post-Soviet, migrant, and queer perspectives, the project offers adaptable methods for other transitional cities. Outcomes include a toolkit, zine, and living archive, open-source and shareable across the LINA network.
Drawing from our own contexts, Georgia and India, we understand belonging as layered, negotiated, and relational. Urban Living Room proposes a transnational framework for spatial empathy and inclusive design, inviting collaboration with cultural institutions, schools, municipalities, and research groups.
Why now? In a time of urban alienation and social fatigue, we must build spaces not just to live in, but to belong in. This project does not offer fixed answers, but a method: a soft, collective infrastructure for care, presence, and shared space.