irido

irido
irido aims to enahnce audio/acoustic experience in enslosed spaces for music performances.

irido
Utrecht, Netherlands
About
irido aims to enahnce audio/acoustic experience in enslosed spaces for music performances.
Links
Field of work
Architecture, Design, Ecology, Curating, Research
Project category
Public space
Project submitted
2024

Following his BMus in Music Production at Los Angeles College of Music, Jeremy Leung attend the National Music Festival (NMF 2019) in Maryland with recording apprenticeship, he then worked with nationally recognized acts such as Los Lobos (Grammy Winner) , Vulfpeck , Scary Pockets and others as assistant engineer at Nest Recorders. During Covid he his interest emerges into tech art and tools making. He was a composer in a dance research project in collaboration with University of Hong Kong, later on as Audio Director for indie game Dessert Tank.

He is currently pursuing MMus in Music Technology at Utrecht University of the Arts (Holland Scholarship awardee) and PG.Dip in Acoustics at Institute of Acoustics (U.Liverpool Acoustics Research Unit Lab). His interdisciplinary portfolio includes recent work on sonic branding for the Kaboom Festival (NL), Curator of Third Place, a Youtube channel promotes local artists with highly stylised production and builder of the sonic crystal irido that aims to enhance audio/acoustic experience in enclosed spaces with multimodal stimulus. irido is picked up by AMS institute for their startup booster program, showcased at Schiphol Airport and with its acoustic properties measured at TU Delft.


irido explores the potential for transformative circular acoustics within enclosed spaces. This proposed sonic crystal offers a level of portability and modularity that surpasses traditional surface diffuser counterparts (i.e. QRD and skyline) and conventional physical acoustic effects (i.e. echo chamber and corridor).Its acoustic properties is verified though simulation (visualization and auralization) and measurement conducted at TU Delft.
Initial feedback from evaluation sessions experimenting with placement practicality and applications as diffuser, barrier and audio effect involving performing musicians from various genres and demographics and provided.